The wrestler approaches an opponent lying against any set of ropes and grabs one of the opponent's wrists with their similar arm. With the same arm, the wrestler reaches around the ankle and through the opening formed by the legs and locks their hands together as in a cloverleaf. Also known as Military press. Wrestling Move: Figure Four Leg Lock - YouTube http://mongolsantino.com/join.phpkAos demonstrates the figure four leg lock. Also known as a spinning armlock. WWE wrestler Veer Mahaan uses this move as a finisher calling it the Cervical Clutch. For instance, in his recent Joe Rogan Experience episode with Rick Rubin, he criticized the legendary Figure-Four leg lock pro-wrestling move. The maneuver can be used as an uncommon submission maneuver, such as used by Braun Strowman, or a transitioning hold, usually to fall backwards into an arm triangle reverse STO. It is also possible to put pressure on the elbow joint by bending the leg entangling the arm and twisting it in a specific manner. Also known as a cobra choke or a kata ha jime (a term borrowed from judo), this hold sees the wrestler put the opponent in a half nelson with one arm and grab the opponent's neck with the other, sometimes while adding body scissors. By using this service, some information may be shared with YouTube. A rope-hung move sees the opponent trapped either over the top rope or between the top and second rope. Commonly used as a counter to an attack from behind. Also referred to as a "bridging grounded double chickenwing" or Cattle Mutilation. A "goozle" is a single arm choke held briefly before performing a chokeslam. The wrestler then picks up the straight leg of the opponent, bends it backwards to lock the other leg in the knee pit and places the foot in front of the shin of the standing leg in the knee pit, thus locking the leg. Unfavorite. The move was used by Melina as the Last Call. [13] and the late WWWF superstar the late Bruno Sammartino, he even used this move to win his first WWE Championship. Another variation sees the attacker performing a reverse STO, then locking the regular Koji clutch in, but crossing their legs in a modified figure-four headscissors. Generally, the direction of the shin in the leg acting as a fulcrum will determine where the larger part of the pressure will go. This move was popularized in WWE by Brock Lesnar, where he would use it often to (kayfabe) break his opponent's arm. 4. Lie back facing upwards. His son, AEW wrestler Hook, also adopted it as his finishing maneuver, rebranding it as Redrum. Famous Luchador Blue Demon Jr. also uses a modified variant of this move as well, in which he does an inverted sharpshooter and then uses his free arm to pull back his opponent's arm. From here the wrestler can reach forward and perform many upper body submissions as well. This hold is often used in conjunction with a hold applied to the head or the arms in order to restrain the opponent. This stretches the pectorals and shoulder joint and immobilizes the arm. Backlund's version of the hold incorporates the bodyscissors portion. The technique is also used to trap an opponent while the attacking wrestler runs at them and delivers some form of offensive maneuver, such as a running knee attack or a baseball slide. This basic backbreaker submission involves the wrestler laying the opponent's back across one knee, then, while placing one hand on the opponent's chin and the other on their knee, the wrestler pushes down to bend the opponent around their knee. However, Joe Rogan criticizes it; emphasizing that it's inviting an Inside Heel Hook counter. A variation is performed from the omoplata position, which also puts pressure on the trapped arm but requires the wrestler to perform it from a seated position. Most often applied by a standing wrestler against a prone opponent, but may also be applied by a seated wrestler or against a seated or kneeling opponent, sees the wrestler grasp both of their opponent's wrists while placing their foot or knee on the opponent's upper back, pulling back on the arms to compress the opponent's shoulder blades. Liv Morgan used this move as her finisher by transitioning it into a DDT in her early days in WWE's developmental territory NXT from 2014 to 2017. 2.0 0x. The move was popularized by Taz, who used it as a finishing move, calling it the Tazmission. 2. Similar to a double underhook, but only one arm is underhooked and the head of the opponent is placed into a front facelock. The wrestler then wraps their arm around the opponent's neck, pressing the biceps against one side of the neck and the inner bone of the forearm against the other side. This move can also be compared to the Figure-four leglock. This technique is also known as a single chickenwing hammerlock or a double wrist lock. Lance Storm also performs this move with both versions, including the regular Boston crab and single-leg Boston crab. The attacking wrestler tucks the opponent's top/back of the head into their own chest and wraps an arm around the opponent's neck so that their forearm is pressed against the opponent's throat. A double pumphandle exists, where the second arm is not hooked, it is also pulled under and between the opponent's legs. Favorited. Oct 23, 2020 @ 6:07pm. This can also can be a transition hold for counterattacks that see the wrestler (who is being wheelbarrowed) hit many throws and drops, like a DDT or a bulldog and rolling pin combinations. The Figure Four Leg Lock is a staple submission in the industry and many have added it to their One variant may see the wrestler instead lock their hands on the opponent's neck. The wrestler then takes hold of the upper arms or wrists of the opponent and spreads them, holding the opponent in place. In Mexico's Lucha libre this hold is known as La Torre, Spanish for "The Tower". While this can inflict pain on its own, it is most often used as a transition hold, leading into either a hammer lock, an elbow to the held arm, or kicks to the opponent's abdominal area. It is a commonly used submission in judo, BJJ and MMA. This move has been used by Daniel Bryan and Bobby Fish as the Fish Hook Deluxe Edition. The move can be executed from a kneeling position or a standing position, depending on the wrestler's preference. [4] The attacking wrestler stands behind an opponent and reaches around the opponent's neck with one arm. The move is performed in several ways, usually from a prone position involving the wrestler trapping one of the opponent's arms. The hold itself can be and sometimes is used as a submission move, but it is more commonly used as a transition hold to set up another move such as a suplex, a DDT, a facebuster, or a powerbomb. Dexter Lumis uses this move called Silence, which sees him use the move from either a standing and seated position, with the latter sometimes transitioning from a sitout sideslam. Frequently used by powerhouse style wrestlers, this rather simple to apply hold is used by heels and faces alike. There are several variations of heel hooks, with the most typical being performed by placing the legs around a leg of an opponent and holding the opponent's foot in the armpit on the same side. Opponent Down - Face Up Near Legs, Move Craft. Years later, Kurt Angle adopted the ankle lock as his finisher, but would often do it from a standing position. WebThe applying wrestler then leans over the opponent and grabs their arms, applying a double chicken wing to the opponent. 0.245 MB. 1. Get your opponent on the floor. You can achieve this by pushing him/her down on the ring or hitting with any other move that makes your opponent It is used by many wrestlers in the beginning of the match. Austin Aries uses a half surfboard variation, called Fish Hook of Doom, where the opponent is lying face down. Similarly to the biceps slicer, a calf crusher can be applied by inserting an arm or leg in the backside of the knee and flexing the opponent's leg to apply pressure to the muscles surrounding the fulcrum. The move was also popularized in the States by Sting, who called the hold the Scorpion Death Lock and applied the hold from a seated position. Its facebuster version was later made popular by Beth Phoenix, calling the move the Glam Slam. The name comes from its inventor's name, Koji Kanemoto. The Figure-Four leg lock was Ric Flair's signature move. The wrestler pushes their standing or seated opponent into the turnbuckle and extends their leg, choking their opponent while using the top two ropes for support. The attacking wrestler stands behind the opponent who is either sitting or lying face down, then pulls the opponent into an inverted facelock, often hooking the opponent's near arm with their free arm. The attacking wrestler then seizes one of their arms and proceeds to walk over the opponent while continuing to hold the arm, forcing the opponent to turn over onto their stomach. 8 Jeff Hardy's Whisper In The Wind. Ken Patera performed a variation he called the Swinging Neckbreaker (not to be confused with the neckbreaker variation), where he would lock the hold on and lift the opponent off the ground, then spin them in the air. The wrestler stands in front of the opponent while both people are facing the same direction, with some space in between the two. The opponent lies face down on the mat. It can also be used to immobilize an opponent by pushing them to the ground. His fathers greatest rival was Ric Flair and Flairs finisher move was the Figure Four. Used by Taichi as Seteii Juhjiro. An old catch wrestling hold made somewhat famous by Stu Hart, this variation of a nelson hold involves the wrestler applying the hold forces the opponent prone on the mat and drives their knees into the opponent's upper back.[7]. With the opponent on their back, the wrestler, standing beside them, sits with their leg over and between the opponent's legs (often using a legdrop to the knee). This involves a wrestler suspending an opponent upside down on a turnbuckle, with the opponent's back being up against it. Also known as an inverted sharpshooter combined with a double chickenwing, this hold sets up the same as the sharpshooter, with the opponent supine on the mat with the applying wrestler stepping between the opponent's legs with their right leg and wrapping the opponent's legs at shin level around that leg. The wrestler then tightens their grip to choke an opponent by compressing their throat. Used by Terry Funk and Dory Funk Jr., the wrestler using this move stands over the opponent who is lying face up on the mat and grasps a leg of the opponent. Invented by The Great Muta,[9][10] this move has been adapted and performed by various wrestlers such as Melina Perez (California Dream) and Emma (Emma Lock) as finishing moves, signature moves, and setups to finishers. This move was made famous by Ric Flair and now too is often used by most of the wrestlers in WWE and other franchise. A wrestler stands in front of an opponent and locks their hands around the opponent, squeezing them. The wrestler sits on one side of the opponent, encircles the opponent in a headlock position using their near arm, and grabs the opponent's near wrist, bending the arm upwards. Popularized by Jamie Noble, the opponent starts on his stomach with the attacker crossing one leg over the knee-pit of the other and holding that bent leg down by dropping to his side and placing their leg over it (passing that leg through the hole of the "4". Published 18th October 2022. This move is also sometimes dubbed the King Crab Lock. George Steele used an elevated version of the Hammerlock. The wrestler lies face up and slightly to the side of the opponent. This may sometimes be preceded by an arm wrench. For a full nelson, the attacker slips both their arms under the opponent's armpits and locks their hands behind their opponent's neck. The attacker then drops to the side opposite that of the arm that they grabbed (if he grabbed the right arm, he will fall on his left side). This forces the opponent onto their chest while the wrestler ends in a sitting position facing the same direction as their opponent. From here many throws, drops and slams can be performed. The wrestler grabs either of the opponent's arms and pulls it to their back (resulting the arm being bent behind the opponent's back). Also called a straight legbar or kneebar, it is performed similarly to an armbar by holding the opponent's leg in between the legs and arms so the opponent's kneecap points towards the body. A transitional hold in which an attacking wrestler hoists an opponent up onto their shoulders so that they are both facing in the same direction. 3.0 0x. The wrestler uses his foot to push the opponent's straight leg backwards and over the bent leg's ankle. The wrestler approaches face-up opponent then grabs and folds the opponent's left arm over their lower torso, their left leg over their left arm, their right arm over their left leg, and the right leg over the right arm and left leg at the point where the ankle and wrist are placed together. The wrestler then pulls the opponent's head backwards and up, wrenching the opponent's neck. A standing variation of the camel clutch is also used, with this variation popularized by Scott Steiner in the late 1990s as he used it as his finisher, dubbed the Steiner Recliner. For a figure eight, the wrestler will then push up into a bridge. An arm-trap variation of this move was invented by WWE wrestler William Regal and is currently known as a Regal Stretch. To create this article, 22 people, some anonymous, worked to edit and improve it over time. This move can also be known by the underrepresented term coil lock in catch wrestling. This is a scissored armbar combined with a crossface. The wrestler then sits on top of the opponent forcing them into a bridge and pressing down on their body. However, instead of locking the opponent's legs in a "4" shape, the attacking wrestler crosses one of the opponent's legs over to the other leg. This would result in the opponent's arm being shaped into a 4. This move is achieved when a wrestler wraps a forward-facing opponent's legs around their waist (either by standing behind an opponent who is lying face-first on the mat or by catching a charging opponent), applying a gutwrench hold and lifting the opponent up off the ground into the air, then either continuing lifting and falling backwards to wheelbarrow suplex, or forcing the opponent back down to the mat to hit a wheelbarrow facebuster. Kushida also uses the hold as the Hoverboard Lock. Known in combat sport as the "bicep slicer".[11][12]. The nelson hold in professional wrestling usually takes the form of the full nelson, half nelson, or three-quarter nelson. The wrestler then wraps their free arm under the opponent's chin as in a sleeper hold, puts their other arm through the arch created by the opponent's trapped arm, and locks their hands. The wrestler then links their arms around the face-up opponent's torso and presses down, squeezing the opponent's spine against the wrestler's shoulder. The attacking wrestler stands over a face-down opponent, facing the same direction. It is performed by approaching the opponent and putting one hand on the back of the opponent's neck while holding the elbow of the opponent's arm that is holding their own neck. Sometimes the wrestler may place their foot or knee on the opponent's upper back in order to exert even more pressure. This hold is performed on an opponent who is lying face down on the mat. The wrestler then holds the other arm with their legs, stretching the shoulders back in a crucifying position and hyperextending the arm. A transition lift to perform many throws, drops and slams. Essentially a Gogoplata with leg submission, the wrestler steps over his opponent's leg and then laces the opponent's legs together, as a standard Sharpshooter would be performed. It is mostly performed by Jushin Thunder Liger, Natalya Neidhart and Daniel Bryan as a signature and by Rito Romero as a finisher. The wrestler will then sandwich the arm between their own leg and the side of the opponent's body. This neck crank sees the wrestler wrap both hands around the opponent's face and pull back, which applies pressure to the neck and shoulder area. From that point, the wrestler can apply other holds to the opponent, such as a fujiwara armbar or a three-quarter facelock. This neck lock sees a wrestler sit above a fallen opponent and wrap their legs around the opponent in the form of the figure-four, with one leg crossing under the opponent's chin and under the wrestler's other leg the wrestler squeezes and chokes the opponent. On this Wikipedia the language links are at the top of the page across from the article title. The crossface chickenwing is mostly identified with Bob Backlund, who used the hold as a finishing maneuver following his comeback to the WWF in the mid-1990s and won his second world championship using the hold. Next, the wrestler turns their opponent over so that they are on their knees with all four of their limbs trapped underneath. These variations are also invented by Tenzan himself. The wrestler traps one of the opponent's ankles between their thighs (as seen primarily before applying an STF). To create this article, 22 people, some anonymous, worked to edit and improve it over time. The Fiend used to use this move. The wrestler proceeds to lean back, pulling on the leg under the armpit. This move was popularized by former WWE Wrestler Candice Michelle. Innovated by Mariko Yoshida and is currently used by Naomi, naming it, Feel the Glow. Will Ospreay used the double underhook to spin his opponent into a neckbreaker called the Stormbreaker. This move is also being used by indie wrestler The Silent Warrior, a wrestler who is Deaf. The Rock also used this move as his signature submission move by the name Sharpshooter. This technique was the Ric Flairs signature move. The wrestler then turns 90 degrees [1] A camel clutch can also refer simply to a rear chinlock while seated on the back of an opponent, without placing the arms on the thighs. The locking mechanism is similar to the kimura lock, but instead of using a figure-four, it is applied using a leg. The attacking wrestler tucks their opponent's head underneath their armpit and wraps their arm around the neck so that the forearm is pressed against the chin.
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